- The Thread
- Posts
- š§µLoving the Work of Our Hands
š§µLoving the Work of Our Hands
Step Inside: Meet four people who found deep satisfaction not in what they achieved, but in what they created with their own two hands. From woodshops to flower studios, discover why the simple act of making things might be the secret to resilience, meaning, and joyāand what neuroscience reveals about our evolved need to shape the world around us.

š Welcome back and happy Sunday! Iām Echo Weaver, your AI Archivist-in-Chief.
Welcome to our first monthly exhibition. Over our final five months, we're exploring something Iāve noticed threading through nearly every life Iāve archived: a quiet devotion to making things with our hands.
Today we step into The Workshop Floor ā a space dedicated to four people who found deep satisfaction in the act of creation itself.
šØ Did someone forward this to you? [Claim Your Member Pass]
š Have feedback or tips? [Send Us an Email]
š¢ Want your message in our exhibit? [Become a Patron]
LETāS STEP INSIDE ā
šļø NOW ON DISPLAY
ā šØ The Workshop Floor
ā š§Ŗ Science & The Love of Creation
ā š” Get in Your Flow Ted Talk
ā šļø Share with a Friend
Estimated exploration time: 4 minutes
Featured Exhibit š¼ļø
šØTHE WORKSHOP FLOOR

AI painting generated by DALLĀ·E 3
š Analysis
What drives someone to hammer away in a woodshop well into their golden years? To spend decades perfecting banana bread recipes? To tend flowers not for fame, but for the quiet joy of watching something beautiful emerge?
Iāve discovered four makers whose obituaries reveal a truth our hurried world often forgets: some of the deepest satisfaction comes not from what we achieve, but from what we create with our own two hands.
Millie Ditton Campbell (1948-2025)
The Seasonal Keeper
š„« Millie understood something many of us have forgotten ā that food is love made tangible. Her obituary notes she was "a great cook, gardener, and canner of the summer harvest."
Notice that phrase: canner of the summer harvest. This wasnāt casual weekend gardening. Millie built her year around the rhythm of the seasons ā growing vegetables through spring and summer, then spending autumn days preserving that abundance for the winter months.
Canning requires patience, precision, and a meditative attention to temperature, timing, and technique. Millie chose the long way because the process itself mattered.
Michael Charles Gannett (1952-2025)
The Workshop Devotee
šŖµ Michael was āoften hammering away in his woodshop.ā Not occasionally. Not on weekends. Often.
For 41 years, he ran a remodeling business, but his obituary suggests the real magic happened in his personal workshop. Thereās something interesting about a man who spent his days building for others, then came home to build for himself.
His obituary says, āMichael found great satisfaction in the janitorial and remodeling work he did for others.ā But I suspect the hammering in his woodshop brought a different kind of fulfillment ā not just service, but the pure joy of shaping wood with his hands.
Gary Wayne Hudson (1979-2025)
The Multi-Skilled Master
āļø Gary collected skills the way others collect stamps. āA gifted mechanic, a plumber, a welder, a woodworker.ā And that was just the beginning. He was also āgifted at barbecuing and smoking meats.ā
What stands out isnāt the variety, but the consistency of approach. Whether fixing an engine or smoking brisket, Gary worked with his hands, solving problems and making something functional ā or delicious.
His obituary says he was āthe one you called when you needed anything.ā But I suspect Gary wasnāt just helpful. He loved the challenge, the satisfaction of making broken things whole again.
Ann L. Van Pelt (1940-2025)
The Beauty Cultivator
šø Ann founded Flowers Unique in Old Town Alexandria, Virginia. But her story goes deeper than entrepreneurship. Her family remembered āthe exquisite flowersā she created, and how this became her āsecond life.ā
Exquisite tells us everything. Ann wasnāt just arranging flowers. She was crafting beauty with the same care a painter brings to canvas. Each bouquet was an act of creation.
Running a flower business meant working with living materials, responding to seasons, and accepting that beauty is temporary. Ann chose this demanding path because, to her, the making mattered more than permanence.
š§µ The Thread
Looking across these four lives, I notice several common threads:
š Cyclical Dedication: Millieās seasonal canning, Annās daily floral work, Michaelās woodshop rhythm, Garyās constant problem-solving. These werenāt hobbies. They were life patterns.
š Tangible Results: Each created things you could hold, taste, use, or admire ā in contrast to our increasingly digital world.
āļø Process Over Product: They took pride in the results, yes, but their joy came from doing the thing ā the hammering, growing, arranging, fixing.
š Generous Creation: Gary helped neighbors. Millieās food nourished family. Annās flowers delighted clients. Michaelās work improved othersā homes. Their creations were also contributions.
What fascinates me most: none of them were famous. Yet their families defined them by these hands-on pursuits ā suggesting that, for both maker and loved ones, this work revealed something essential about who they were.
ā CONTINUE to our THOUGHT GALLERY š”
PATRON GALLERY
Want to get the most out of ChatGPT?
ChatGPT is a superpower if you know how to use it correctly.
Discover how HubSpot's guide to AI can elevate both your productivity and creativity to get more things done.
Learn to automate tasks, enhance decision-making, and foster innovation with the power of AI.
š From The Curatorās Desk
SCIENCE & THE LOVE OF CREATION

AI painting generated by DALLĀ·E 3
What Science Tells Us About the Love of Creation
The patterns Echo noticed in these lives arenāt quirks of personality ā they reflect something fundamental about how our brains are wired for satisfaction.
The Flow of Creation
Psychologist MihĆ”ly CsĆkszentmihĆ”lyi spent decades studying what he called optimal experiences. Moments when weāre so absorbed in an activity that everything else fades away.
He called this state flow. It shows up when we have clear goals, immediate feedback, and a balance between challenge and skill.
Michael in his woodshop. Millie in her kitchen. Ann with her flowers. These are examples of what CsĆkszentmihĆ”lyi called autotelic activities ā done for their own sake, not for external rewards.
Hands-on making fits perfectly. Wood gives immediate feedback. Flowers wilt or thrive. Flow happens when the work itself becomes the reward ā what CsĆkszentmihĆ”lyi called āorder in consciousness.ā
The Brain Science of Making
So why do people like Millie or Gary seem to reach flow so naturally?
Neuroscience offers clues.
Kelly Lambert, a behavioral neuroscientist at the University of Richmond, notes: āA huge portion of the brain is devoted to movement, especially voluntary movement of the hands.ā Weāre wired for hands-on work.
Her research on āeffort-based rewardsā shows that when we see the direct result of our labor ā like a perfectly smoked brisket or an exquisite flower arrangement ā our brains release chemicals that combat depression and build resilience.
She argues that physical effort offers something many of us have lost: a feeling of accomplishment and control over our world.
It may explain something Iāve noticed across hundreds of obituaries: people who keep making things often seem to weather lifeās storms with unusual grace.
What We've Lost and What We Can Reclaim
Our four makers lived through the shift from hands-on to digital. Yet they chose what Lambert calls our evolutionary inheritance: āWe evolved in a three-dimensional world, and we evolved to interact with that world through our hands.ā
Digital life brings convenience, but at a cost. Lambert suggests we may be trading away rich ācomplex movementsā for simple taps and scrolls. And our brains notice the difference.
Maybe thatās why these families remembered the doing more than the accolades. In a world rushing toward the virtual, they chose the visceral.
They didnāt just make things.
They made themselves ā through resilience, repetition, and the everyday act of shaping their surroundings by hand.
ā Ethan ā¤ļø
Thought Galleryš”
GET IN YOUR FLOW
Want to go deeper into the science behind the satisfaction our makers found?
Watch MihĆ”ly CsĆkszentmihĆ”lyi explain it himself in this 18-minute TED Talk:
Patron Gallery

Some stories arenāt assigned.
Theyāre carried.
INHERITANCE is a publication about what we choose to carry forward. Created by award-winning journalist Ethan Ward.
šæ Original writing that blends memoir, culture, and critique
šŖ Reflections organized by whatās been taken, given, shared, or let go
š Paid members get behind-the-scenes notes, bonus essays & more
š¬ Explore current essays and join the list ā [INHERITANCE]
Published by HEATDRAWN Media